In these pages you will find transcripts of recent printed reviews. At times I will add my own comments, depending on the nature of the criticism or the quality of the writing (watch out if there are spelling mistakes, poor grammar, or shoddy sentence construction!). At other times I may invite visitors to the website to submit their own reviews if they think they can come up with something better….
I might even write my own reviews on occasion! Read on.
Student: "But, revered master, I don't know how to play cards."
Liszt: "Then you can be the critic."
'Between Darkness and Light', a recital with Jenny Wollerman
Festival of Colour, Wanaka, 17 April, 2013
Reviewed by Nigel Zega, Otago Daily Times, 18/4/2013
'Between Darkness and Light' paired Wellington soprano Jenny Wollerman with Michael Houstoun in a captivating recital of spellbinding beauty and depth.
Tony Rabbit's inspired lighting and set design transformed the Lake Wanaka Centre's functional stage to a place of timeless style, a portal to another world where music and poetry could work their magic with seductive ease.
Wollerman and Houstoun kept the songs short, interspersed with sensitive Houstoun solos.
The performers explored emotions, sights and feelings that are most likely to arise in the hours between evening and morning - times of stillness and reflection, of sadness and joy.
This was an exquisite theatrical recital, beautifully and expressively rendered with both power and restraint by performers at the top of their game.
Houstoun's homage to Beethoven
Pianist's unerring fingers draw magic from composer's 32 sonatas
Beethoven ReCycle, Programme Two
Auckland Town Hall Concert Chamber, 20 April 2013
Reviewed by William Dart, NZ Herald, 23/4/2013
Michael Houstoun's ReCycle, with the pianist tackling all 32 Beethoven sonatas, has begun its historic journey around the country.
Dean Zillwood's portrait on the programme cover caught the determination of this man, revisiting a project first undertaken in 1994. Inside, Houstoun explains how the impulsive energy of youth has been tempered with, among other things, self-trust.
The concert began with the disarmingly simple Op.49 No.1, treated with no less gravity than mightier works yet to come. The Andante was moulded with classical precision while the second movement had no fear of dancing hilarity...
Sonatas rare treat in recital
Beethoven ReCycle Programme Three
Ilott Theatre, Wellington, 15 April 2013
Reviewed by John Button, The Dom Post, 17/4/2013
With this, the third concert in Michael Houstoun's year-long journey through the 32 Beethoven Sonatas, we were treated to three sonatas that rarely feature in piano recitals, and the great finger-twisting sonata from 1818 - the 'Hammerklavier' (B flat, Op.106)...
Lack of tuning mars sublime act
Beethoven ReCycle Programme Two
Ilott Theatre, Wellington, 14 April, 2013
Reviewed by John Button, The DomPost, 16/4/2013
With this, the second concert in Michael Houstoun's epic traversal of the Beethoven Sonatas, we are almost a third of the way there. And building on the fascination of the first concert, we had confirmation that Houstoun is, these days, an even more complete artist than he was at the time of his first journey 20 years ago...
Houstoun dazzles with Beethoven's sonatas
Beethoven ReCycle Programme One
Ilott Theatre, Wellington, 12 April, 2013
Reviewed by John Button, DomPost, 15/4/2013
It was inevitable, 20 years on since Michael Houstoun's first journey through all 32 Beethoven sonatas, that things would be different - and they are. The overall vision is the same, but in a myriad ways each of the five sonatas that launched the 2013 journey revealed a more mature, technically more flexible, artist...
Houstoun displays insight and crisp technique
Beethoven ReCycle Programmes 1, 2 and 3
The Grange Theatre, Christchurch, 4,5,6 April, 2013
Reviewer: David Sell, The Press, 12/4/2013
One of many advantages of hearing so many Beethoven sonatas in a short space of time is to be reminded of how Beethoven took a simple musical form seemingly perfected by his great predecessors, Haydn and Mozart, and in twenty seven years and thirty two works transformed it into a form of infinite musical and personal possibilities.
In this first series, Michael Houstoun played fourteen of them, ranging from the Opus 10 group of 1795-7, to the massive Opus 106, “Hammerklavier” of 1819...
Stamina delivers complex sonata
Beethoven Sonatas Programme Three
Municipal Theatre, Napier, Sunday 7 April 2013
Reviewed by Peter Williams, Hawkes Bay Today, 9/4/2013
This third programme of seven was built around the longest sonata in the set, the so-called Hammerklavier No.26 (sic) in B flat, Op.106. Dedicated to the Grand Duke Rudolph, one of the many generous aristocratic patrons who Beethoven cultivated and on whom he depended for his livelihood, it is one of the most remarkable compositions for the keyboard, a sonata on the grandest scale lasting around 50 minutes in playing time...
Read full text hereStellar performance where intricate detail shone through
Beethoven Sonatas Programme Two
Municipal Theatre, Napier, Sunday March 24 2013
Reviewed by Peter Williams, Hawkes Bay Today, 26/3/2013
Inevitably in a set of sonatas there are particular compositions which stand out for the unique quality of the writing. This factor has been the catalyst for the arrangements of the sonatas within each of the seven recitals encompassing the whole of the 32 Beethoven sonatas which Michael Houstoun is presenting this year in this ReCycle series...
Read full text here
Glittering performance
Beethoven Sonatas Programme One
Municipal Theatre, Napier, Sunday March 10 2013
Reviewed by Peter Williams, Hawkes Bay Today 13/3/2013
Many in the audience at this concert will remember Michael Houstoun's playing of the Beethoven Series 20 years ago and will have been keenly anticipating these ReCycle performances. They will surely not have been disappointed in what they heard in this concert...
Read full text here
A polished performance by an outstanding pianist
Diabelli Variations, Ilott Theatre, 20 October, 2012
Reviewer: John Button
The Dominion Post, 22 October, 2012
On the day of Michael Houstoun's 60th birthday, we heard an absolutely magisterial performance of Beethoven's set of variations on the somewhat ordinary theme by the publisher Anton Diabelli...
Esteemed friend and colleague, Rae de Lisle, is Head of Piano at the University of Auckland School of Music. As she says, "we make our students write a review of one concert" (great idea). Student Cindy Xia chose a performance I gave to the piano class of Bach's 'Goldberg' variations. Here is her review.
It is not everyday that you can hear a live performance of Bach's Goldberg Variations for the very first time, and it's not everyday that you hear it up close by a world class pianist...
The Goldberg standard
Christopher's Concerts, St Michael and All Angels, Christchurch, 10 April 2012
Reviewer: Ian Dando
The Listener, 28 April-4 May 2012
Michael Houstoun gives an impressive first performance of one of keyboard music's greatest sets of variations.
Consigned to oblivion for 150 years, JS Bach's Goldberg Variations is a popular work these days. Whether you prefer piano or the original two-manual harpsichord for a 75-minute work depends on your taste. I nail my colours to the mast in agreeing with pianist András Schiff's pragmatism: "Hands on heart, can you listen to the harpsichord that long?" No, especially when sitting on very hard church pews, which is the fate of Christchurchians these days, with nearly all our standard concert venues reduced to rubble.
Promoter Christopher Marshall, who has never allowed quakes to lower his high standards of fare, shifted his Bösendorfer grand piano to the hospitable St Michael & All Angels...
Thanks be to saints, angels for Houstoun
Christopher's Concerts, St Michael and All Angels, Christchurch, 10 April 2012
Reviewer: Timothy Jones
The Press, 12 April 2012
Let us thank St Michael and all those angels for Chris Marshall, whose concert series continues to bring such delights to our city.
Michael Houstoun needs no introduction and, as so often in the past, he could be relied on to produce a programme of real substance...
Artists' liaisons make for evocative viewing
Rita and Douglas, Auckland Town Hall Concert Chamber, 22-26 November 2011
Reviewer: Paul Simei-Barton
New Zealand Herald, 24 November 2011
'It is difficult to imagine a better way to appreciate the art of Rita Angus and Douglas Lilburn than this celebratory tribute in which a sharp dramatisation of their quarrelsome relationship is counterpoised with Michael Houstoun's exquisite renditions of Lilburn's piano works while a luminous display of Angus' paintings appears as an enormous projection.
Great playing but conductor holds Brahms in check
NZSO Brahmissimo! series, October 12-15, Wellington
Reviewer: John Button
DomPost 17 October 2011 (extract)
'There might not have been full halls for this epic series of Brahms concerts but those who came greeted everything with enormous enthusiasm...'
Houstoun and Watkins honour Maurice Till
Duet recital, Christchurch Arts Festival, 28 August 2011
Reviewer: David Sell
The Press, 29 August 2011
'Everything was right for this event, except for those who couldn't get in. A sold-out concert of duets played on the late Maurice Till's piano by two of his most renowned students in a venue of character and buzz had to be a great occasion.
Light shone on artists' strange alliance
'Rita and Douglas', Christchurch Arts Festival, 20 August 2011
Reviewer: Warren Feeney
The Press, 22 August 2011
'A love affair between two of New Zealand's best-known artists is a subject too good for New Zealand theatre to ignore...
Colourful tapestry with many depths
'Rita and Douglas', Taranaki International Arts Festival, 12/13 August 2011
Reviewer: Jo Hills
Taranaki Daily News, 13 August 2011
'Music, visual art and theatre are skilfully interwoven and balanced in 'Rita and Douglas'.
This show opened last night at the Theatre Royal to a sell-out crowd. The 80-minute performance tells of the brief love affair New Zealand artist Rita Angus had with musician Douglas Lilburn in the early 1940s...
Work of great intensity reflects city's fight against adversity
New Zealand Symphony Orchestra Christchurch, 11 August 2011
Reviewer: David Sell
The Press, 13 August 2011
'The scale and intensity of the 900-day siege of Leningrad from June 1941 was the inspiration for Shostakovich's great seventh symphony, and for the title of this concert. Perhaps there was an affinity with the human spirit breaking through adversity that brought a capacity audience and a standing ovation, rarely seen in this city...
Leningrad tour exquisitely executed
New Zealand Symphony Orchestra Auckland, 6 August 2011
Reviewer: William Dart
The New Zealand Herald, 8 August 2011
'The New Zealand Symphony Orchestra's Leningrad tour came with an eye-catching poster; conductor Vasily Petrenko, with just a hint of the Nigel Kennedy enfant terrible, set in a circle of jagged constructivist beams.
On the podium, the lithe, handsome Petrenko was the perfect partner for a magisterial Michael Houstoun in Rachmaninov's Fourth Piano Concerto...
From Russia with understanding
New Zealand Symphony Orchestra Wellington, 5 August 2011
Reviewer: John Button
The Dominion Post, 8 August 2011
'Surely no musical work has had a history quite like that of the Shostakovich Seventh Symphony "Leningrad". For most casual observers, since it first made its appearance during the siege of Leningrad in 1942, it has symbolised the heroic struggle of those who suffered; an act of creation by a composer living through the horrors...
Rita and Douglas
Festival of Colour, April 12-17, 2011
Reviewer: Helen Watson White
Listener, May 7, 2011
'...Rita and Douglas is a duet of a most unusual kind...
Magic handful of letters and piano
Rita and Douglas, Lake Wanaka Centre, April 16
Jazzing It Up, Lake Wanaka Centre, April 17
Reviewer: Nigel Zega
Otago Daily Times, Monday 18 April
Rita and Douglas is a poignant tribute to two of New Zealand's cultural icons.
Actor Jennifer Ward-Lealand, pianist Michael Houstoun and writer Dave Armstrong have excelled themselves in creating riveting drama with little more than a handful of letters and a piano...
Houston's (sic) virtuosity mesmerises at St Paul's
Lunchtime recital at Otago Festival of the Arts
Reviewer: Nigel Benson
Otago Daily Times, 14 October, 2010
It would be fair to say I am probably not pianist Michael Houstoun's biggest fan. During an interview with Houstoun at St Paul's Cathedral a couple of years ago I played Twinkle Twinkle Little Star on the grand piano...
Schumann and Chopin birthday treats
Recital in the Auckland Town Hall Concert Chamber
Reviewer: William Dart
The New Zealand Herald, 6 September 2010
Michael Houstoun had described his Friday evening recital as a bicentenary celebration of Schumann and Chopin, but the first sounds we heard were Bach, whose celebrated C major Prelude, beautifully understated, surreptitiously segued into Schumann's Arabeske.
Michael Houstoun at Paekakariki Memorial Hall
Reviewer: Lindis Taylor
Paekakariki Xpressed, 20 August 2010
Michael Houstoun is one of New Zealand's most popular - as well as one of our best - pianists. He gives generously of his talent, playing for small communities as well as in the major concert halls...
A flourish of eccentricity pays off for Taddei
Vector Wellington Orchestra conducted by Marc Taddei
Reviewer: John Button
The Dominion Post, 26 July 2010 (extract)
.....the concert was, partly thanks to the unusual programming, a fresh, unhackneyed affair, distinguished for the most part by excellent playing. The Egmont Overture got things off to a fiery start, followed by a most eloquent performance of Schumann's Piano Concerto. This is not an easy work to bring off, but Michael Houstoun provided an ideal mix of bravura and lyricism, allied to an easy clarity, that caught Schumann's elusive world to a tee. The orchestra gave him fine support, with the woodwind showing more character than is often the case.
Touring with violinist Josef Spacek
Some review extracts from the 17-concert tour with MHIVC winner Josef Spacek
"The programme - one of two he offers on this tour - was a stimulating package that made as many musical demands as technical, and it revealed a player of great musical maturity. It helped, particularly in Beethoven's Sonata for Piano and Violin in C minor, Op.30 No.2, that Spacek had as a partner Michael Houstoun, a pianist of great experience and distinction. Together they made this sonata very special." John Button, The Dominion Post
"From the crisp opening unison of Mozart's Sonata for violin and piano (sic) an exquisite partnership between Spacek and Houstoun was obvious. They shared the limelight beautifully especially in the variations movement. This was utterly refined playing, yet full of life's joys." Allan Purdy, Taranaki daily News
"After interval, Prokofiev's F minor sonata was magnificent. It is no accident that David Oistrakh chose to play the work's two Andantes at the composer's funeral. Both slow movements revealed Spacek and Houstoun playing with a special sympathy and sense of spiritual communion. Their teamwork through the vociferous dissonances of the second movement and the catch-me-if-you-can Finale was awe-inspiring." William Dart, New Zealand Herald
"Josef Spacek is a phenomenally gifted violinist...the command of every expressive nuance and of the complete gamut of the most complex string techniques throughout the instrument's entire pitch range had the audience captivated. Michael Houstoun matched the violinist all the way, with the ear drawn time and again to the balance and poise of the piano part." Peter Williams, Hawkes Bay Today
(Comment: All the reviews from this great tour were in the same vein. There was only the fullest praise for Josef who played brilliantly every night. Bravissimo Josef! MH)
A higher revelation
Michael Houstoun Performs Beethoven: the last three piano sonatas (DVD)
Reviewer: Ian Dando
The Listener, 3 July 2010
Outstanding Beethoven all round. The special attraction is the rare spiritual dimension in Houstoun's playing of the serene finales in Op.109, 110 and 111. It's as though Beethoven were no longer of this planet when he wrote them. In the 40-minute interview module, former Listener editor Terry Snow asks broadly penetrating questions that evoke inspired answers from Houstoun. "Music is a higher revelation than all wisdom and philosophy", claimed Beethoven. I sense Beethoven, Houstoun and Snow are on one spiritual wavelength. That's exactly what makes this DVD compelling.